Rosaliesekvens

Ascending sequence

En trinnvis stigende sekvens som følger toneartens tonemateriale.

An ascending sequence that uses the tones in the key.

We wish you a merry christmas
(trad. engelsk julesang)

Refrengene er bygget over en rosaliesekvens. I refreng 2 er andre sekvensledd dominantisert.

The chorus is constructed using an ascending sequence. In the second chorus, the sequence is dominantized.

Klaverkonsert nr 5, sats 2
(Beethoven, L.)

Rosaliesekvens: 1:42-2:00.

Ascending sequence: 1:42-2:00.

For unto us a child is born
(G.F. Händel)

Rosaliesekvens i forspillet, takt 3-6. I korsatsen kan sekvensen høres hver gang teksten “Unto us- a son is given” synges.

The sequence is played in the intro from bars 3 to 6. Afterward, the sequence is played every time the choir sings “Unto us, a son is given”.

Det vakreste som fins
(J. Teigen, R. Løvland, O. Borøchstein)

Refrengene er bygget over repeterte rosaliesekvenser.

The choruses in this music are constructed using repeated ascending sequences.

En trinnvis stigende sekvens der første akkord i hvert sekvensledd er dominantisert.

An ascending sequence where the first chord in every sequence link is dominantized.

Do re mi
(Rodgers, R. & Hammerstein, O.)

Rosaliesekvens spilles og synges i del 2 av refreng,
“(So) Sew, a needle..”

The chorus’ second part, “(So) Sew, a needle..”, is constructed using a dominantized sequence.

Klaverkonsert nr 5, sats 2
(Beethoven, L.)

Dominantiserte rosaliesekvenser: 3:26-3:50.

Dominantized sequences: 3:26-3:50.

Variasjoner over et rokokkotema
(Tchaikovskij, P.)

Dominantisert sekvens i stykkets aller første frase.

In the first phrase of the piece, there is a dominantized sequence.