{"id":29943,"date":"2022-12-01T11:52:48","date_gmt":"2022-12-01T10:52:48","guid":{"rendered":"https:\/\/result.uit.no\/musicificium\/eksempelbank\/polyrytmer\/vekslende-underdeling-av-grunnslaget\/"},"modified":"2026-01-29T10:57:31","modified_gmt":"2026-01-29T09:57:31","slug":"vekslende-underdeling-av-grunnslaget","status":"publish","type":"page","link":"https:\/\/result.uit.no\/musicificium\/eksempelbank\/polyrytmer\/vekslende-underdeling-av-grunnslaget\/","title":{"rendered":"Vekslende underdeling av grunnslaget"},"content":{"rendered":"

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Vekslende underdeling av grunnslaget<\/h1>\n
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Various subdivision of the beat<\/h2>\n

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Her finner du eksempler p\u00e5 musikk der underdelingen av grunnslaget veksler fra todelt grunnslag til tredelt, fra tredelt til to- eller firedelt, eller fra to- eller tredelt til femdelt.<\/div>\n
I noen av eksemplene forekommer vekslingen som et permanent skifte til ny underdeling av grunnslaget, og utgj\u00f8r en type metrisk modulasjon. I andre eksempler veksler musikken mellom de ulike underdelingene av grunnslaget uten at den nye underdelingen blir permanent.<\/div>\n

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This module presents examples where the beat’s subdivision changes from two or four to three, from three to two or four, and from two or three to five.<\/div>\n
In some of the examples, this transition becomes a permanent shift to a new subdivision of the beat, constituting a form of metric modulation. In other examples, the music alternates between different subdivisions of the beat without the new subdivision becoming permanent.<\/div>\n

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Eksempler fra musikklitteraturen<\/h2>\n

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Gammel norsk vise.<\/p>\n

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Pianokonsert nr 5, sats 2<\/strong>
(L. van Beethoven)<\/p>\n

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