{"id":28070,"date":"2019-10-11T13:35:13","date_gmt":"2019-10-11T11:35:13","guid":{"rendered":"https:\/\/result.uit.no\/musicificium\/eksempelbank\/taktarter-med-todelt-grunnslag\/attendel-som-grunnslag-3-8-4-8\/"},"modified":"2026-05-21T15:44:37","modified_gmt":"2026-05-21T13:44:37","slug":"attendel-som-grunnslag-3-8-4-8","status":"publish","type":"page","link":"https:\/\/result.uit.no\/musicificium\/eksempelbank\/taktarter-med-todelt-grunnslag\/attendel-som-grunnslag-3-8-4-8\/","title":{"rendered":"\u00c5ttendel som grunnslag (3\/8, 4\/8)"},"content":{"rendered":"

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\u00c5ttendelen som grunnslag<\/h1>\n
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\u00a0The eight as the steady beat<\/h3>\n

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4\/8-takt<\/h2>\n

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Fra Beethovens Eroica-symfoni, sats 2<\/p>\n

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Eksempler fra musikklitteraturen<\/h2>\n

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I noen av eksemplene er taktartsbenevnelsen 2\/4, men med et s\u00e5 langsomt tempo at \u00e5ttendelen oppfattes som grunnslag.<\/p>\n

In some of the examples, the written meter is 2\/4. The tempo in these examples is slow enough that the eighth note is perceived as the steady beat.<\/em><\/p>\n

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Symfoni nr 3, sats 2<\/strong>
(L. van Beethoven)<\/p>\n

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